Chris Kubasik of Tales to Astound has two sets of Weapon Cards for
Classic Traveller (for the 1981 and 1977 editions) that simplifies
Classic Traveller combat by consolidating the information needed
for each weapon.
There is also a page with a PDF of pre-generated characters and a
blank character sheet.
In reading Flame & Crimson I was reminded that Ron Edwards of
Adept Press published a supplement Sorcerer & Sword for his RPG
Sorcerer (both copyrighted 2001) that has a chapter discussing
Heroic Fantasy, as he calls Sword & Sorcery fiction. It's an
interesting read that mentions some authors and books that Flame &
Crimson doesn't. I've listed the authors and works from that chapter
below, with check marks (✓) for the ones I've read. Edwards listed
some things more specifically that I have listed more generally. He
breaks it down into several eras:
The originals: 1920s through 1950s
Robert E. Howard — The original Conan ✓ stories (Edwards has a
specific list of stories, but I think that all the original
R.E.H stories are worth reading), the Kull ✓ stories, the Bran Mak
Morn ✓ stories, and the Solomon Kane ✓ stories, and
Almuric ✓
Michael Moorcock — The Elric ✓ stories and the Corum ✓ stories
(Edwards specifies the earlier stories from the 60s; I think all
of the Elric and Corum stories are worth reading)
Poul Anderson — The Broken Sword ✓, Hrolf Kraki's Saga
Andrew J. Offut — (editor) Swords against Darkness, vols. 1–5
Also mentioned (sometimes for tone and mood rather than specific
stories or books):
M. John Harrison — The Pastel City ✓ and Viriconium Nights ✓
(TKB adds: the whole Viriconium series was republished in one
volume, Viriconium ✓, and although the last two books are somewhat
weird the first two are definitely Sword & Sorcery)
After reading Flame and Crimson I went and bought several of the
Sword & Sorcery books it discussed. Here is the first one I finished:
Far Away & Never, by Ramsay Campbell, copyright 1996,
Necronomicon Press, ISBN-10: 0940884860.
Enjoyable collection of stories, avoiding the flaws of many of
the later sword & sorcery authors.
The word-based magic in “The Stages of the God” and “The Song at the
Hub of the Garden” had a flavor of its own, and “The Ways of Chaos”
made me want to read Ghor, Kin-Slayer: The Saga of Genseric's
Fifth-Born Son (G1, G2). [1]
There is a very interesting six-part series of articles (I, II,
III, IV, V, VI) written by military historian Bret Devereaux at
A Collection of Unmitigated Pedantry that analyzes the Siege of
Gondor in the Peter Jackson film and in the Tolkien book, including
logistics, operations, cavalry mechanics, the physics of supernatural
creatures and their weapons, and the role of motivation and cohesion.
As is not surprising, the sequence in the Peter Jackson film makes
compromises with the story to better suit film, while the sequence in
the book is better grounded in the reality of historical battles.
There is also a review of the Gondor Heavy Infantry Kit, which
depends on the discussion of armor in the Lannister Infantry Kit
review.
And, there is a three part series (1, 2, 3) on War Elephants.
His Blog Overview gives a good description of what he's doing on
his blog and his credentials as a professional military historian.
Clark Ashton Smith created much as an evil god might create. He
stands high above his Fantasy worlds and he laughs. He laughs at
the poor souls who must suffer his realms of terror and
beauty. His is a sardonic humor that torments and feels no kinship
with those who suffer under his machinations. Robert E. Howard, by
contrast, makes you feel the hero’s skin, let’s you live inside it
as Conan or Kull or Bran Mak Morn feels the hatred of the enemy,
the bite of swords, the wickedness of evil.
I think this is why I sometimes have difficulty getting into Clark
Ashton Smith's work. I suspect that if I had encountered Smith about
the same time I encountered Lovecraft, at around 10 to 12 years old, I
wouldn't have that difficulty. It's probably why it is easier to get
into Robert E. Howard's work.
A very good survey of Sword and Sorcery fiction, well worth reading.
I'm going to have to read it again and pull out all the books and
authors it mentions.
I found it much more interesting and useful and indeed inspiring
than I found Appendix N, Jeffro Johnson's survey of the sword and
sorcery literature from the AD&D Dungeon Masters Guide. Both
cover a lot of the same works, but I found Jeffro's book somewhat
unfocused and in a few occasions a little mean spirited, but worth
reading for someone interested in D&D.
Back sometime in March 2018 I installed TuxeraNTFS for Mac. It was
the first NTFS for Mac that I found. I used it casually for a while
and it seemed ok.
Sometime later, probably in October 2019, I decided I needed to move
110 GB of files off my Macbook Pro laptop's internal drive and onto a
external drive. I also wanted to access this drive from Linux, and
thought I'd just use a NTFS-formatted drive so it would be readable
there.
I copied the files over using rsync and there seemed to be no
problems, until I (in a fit of paranoia) ran the Unix cmp command on
all the files on the original disk and the matching files on the
NTFS-formatted drive. There were lots of differences. Uh oh.
I didn't see anything on the Internet complaining about this.
I wanted to try the same thing and see if it worked more reliably with
extFS. I originally wrote short shell scripts for this, for
consistency, so I could just change the volume name and run them
again. Again there were lots of differences. Uh oh.
Again, I didn't see anything on the Internet complaining about this.
All I was doing was running rsync -avz with the appropriate
directories; it should have worked.
I formatted the drive to Mac OS Extended (Journaled) and recopied the
files, and this time they all compared ok.
I decided to just use Unison to sync the files to a couple of my
computers for backup and local use instead of connecting the external
drive to each computer in turn. This is working ok for me.
Maybe this was user error on my part, but it happened consistently
with both of these file systems.
Lacking Natural Simplicity is one, not particularly flattering,
definition of sophisticated.
This blog chronicles my journey through our at times too complicated
and sophisticated world.
This site uses no cookies directly, but I expect the Disqus comments use cookies at disqus.com.